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Piano Studies 1​-​6

by James M. Creed

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about

The scores in this little collection are for pianists and pianos. They could be “performance pieces,” but principally they are nice things to do or nice ways to think about things that we’re doing already. They are more like letters, in a sense: though they can and perhaps will be performed publicly, they address themselves to the pianist sitting at the piano whether others are there to observe or not. For these recordings the letters were addressed to myself.

They all, in some way, follow on from something Fernando and Mira said in the reading/study group we set up with friends – that part of being a pianist is being prepared to play any piano in the world (I prefer “every” to “any”) and I just think that’s wonderful.

Thanks to: Fernando Yada Rodrigues; Mira Benjamin; Katie Grout; Anne Han; Konstantinos Glynos; Khabat Abas; Jess Porter-Langson; Jay Keys; Clare Spollen; Luis John; Claudia Creed.

Thanks also to: the piano at home; the piano at Callum, Jenny, Sylvia and Pete’s; the piano at Gwyneth’s; the piano in room 167 at Goldsmiths; the piano at Pembroke House.

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released March 29, 2021

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James M. Creed Leeds, UK

Composer/guitarist, UK.

[photo by Sam Walton Photography]

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